The Pool in the Desert Sara Jeannette Duncan 9781358187506 Books
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The Pool in the Desert Sara Jeannette Duncan 9781358187506 Books
Might as well admit it: Sara Jeannette Duncan was a Henry James imitator. But dare I say it? I like her far better than James! One of her stories, A Mother in India, is now my favorite piece of short fiction of all time. The psychological ambiguities are so intense, and so subtly embedded in wit, that I can't stop mulling it all over.The four stories in this collection are actually pretty long, though not quite novellas. A contemporary New York Times reviewer called them "novelettes." The book was first published in 1903.
Jamesian innuendos abound. The lift of an eyebrow, a patch of prismatic color in a painting, the sensitive shape of a man's hand - such things lead the characters into beautiful tangles.
Duncan declared her intention to write novels at age nine. She emerged from a small town in what is now Ontario to become a prominent journalist and novelist. She met her husband in Calcutta and lived with him in India for most of three decades. Her portrayal of insular British Victorian society at the highest levels of officialdom is the result of close observation. Starved for culture in Calcutta and Simla, Duncan sought relief in satire.
Duncan presents us with delicious situations. An almost-middle-aged woman falls in love with the twenty-six-yea-old son of her best friend. A mother who has only met her daughter twice in twenty-one years has difficulties feeling maternal. A romantic flirtation with an artist yields unexpected results. An adventuress wreaks havoc in the life of a young woman who is all too expert at self-sacrifice...
And the outcomes are always a bit of a surprise. A thoroughly delightful book!
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The Pool in the Desert Sara Jeannette Duncan 9781358187506 Books Reviews
I'm a man, but I much enjoyed it too!
Here, we have 4 novellas (or, short stories) in a compendium, all written by a gal who was much ahead of her time (late 1800s-early 1900s) in terms of lifestyle and personal vision. Author Sara Jeannette Duncan was a very independent Canadian newpaper reporter/columnist who ultimately traveled the world with a female friend and finally settled in on marrying an Englishman who was living in India. She began to write books after that time.
Sara's writings in this particular work reflect her independence (which continued throughout her marriage until she died), albeit, the stories themselves are straightforward fiction and are not necessarily autobiographical.
The first story is about a loving, responsible, somewhat poor, English mother, living in India with her military husband, who has to give up her infant child to aged aunts back in England for reasons of the child's health. She only gets to see her daughter twice in 21 years before the two are ultimately, permanantly reunited. The story, of course, focuses upon her relationship (through letters mostly) with her offspring, both during the girl's youth, and on a personal level, after her daughter comes of age.
The second story is about a lady and her younger female friend, and their somewhat odd relationship to a third party a skilled English artist (who was reared in America), and who has come to live in their remote Indian village to paint. And so on....
In other words, these are very personal, (and well-written), stories about relationships. That is the point of "The Pool in the Desert," (much moreso than the eggregious social environment of India of that era). In fact, the prevailing squalor and poverty of India during that time period is practically ignored, that simply not being Duncan's focus.
To summarize, if you enjoy straight fiction about mostly female relationships (nothing very risque or graphic in any way), this one will likely work for you. A fluid read and I recommend it to appropriate readers.
I'm a man, but I much enjoyed it too!
Here, we have 4 novellas (or, short stories) in a compendium, all written by a gal who was much ahead of her time (late 1800s-early 1900s) in terms of lifestyle and personal vision. Author Sara Jeannette Duncan was a very independent Canadian newpaper reporter/columnist who ultimately travelled the world with a female friend and finally settled in on marrying an Englishman who was living in India. She began to write books after that time.
Sara's writings in this particular work reflect her independence (which continued throughout her marriage until she died), albeit, the stories are anything but autobiographical.
The first story is about a loving, responsible, somewhat poor, English mother, living in India with her military husband, who has to give up her infant child to aunts back in England for reasons of the child's health. She only gets to see her daughter twice in 21 years before the two are ultimately, permanantly reunited. The story, of course, focuses upon her relationship (through letters mostly) with her offspring, both during the girl's youth, and on a personal level, after her daughter comes of age.
The second story is about a lady and her younger female friend, and their somewhat odd relationship to a third party a skilled English artist (who was reared in America), and who has come to live in their remote Indian village to paint. And so on....
In other words, these are very personal, (and well-written), stories about relationships. That is the point of "The Pool in the Desert," much moreso than the social environment of India. In fact, the prevailing squalor and poverty of India during that time period is practically ignored, that simply not being Duncan's focus.
To summarize, if you enjoy straight fiction about mostly female relationships (nothing very risque), this one will likely work for you. A fluid read and I recommend it to appropriate readers.
Might as well admit it Sara Jeannette Duncan was a Henry James imitator. But dare I say it? I like her far better than James! One of her stories, A Mother in India, is now my favorite piece of short fiction of all time. The psychological ambiguities are so intense, and so subtly embedded in wit, that I can't stop mulling it all over.
The four stories in this collection are actually pretty long, though not quite novellas. A contemporary New York Times reviewer called them "novelettes." The book was first published in 1903.
Jamesian innuendos abound. The lift of an eyebrow, a patch of prismatic color in a painting, the sensitive shape of a man's hand - such things lead the characters into beautiful tangles.
Duncan declared her intention to write novels at age nine. She emerged from a small town in what is now Ontario to become a prominent journalist and novelist. She met her husband in Calcutta and lived with him in India for most of three decades. Her portrayal of insular British Victorian society at the highest levels of officialdom is the result of close observation. Starved for culture in Calcutta and Simla, Duncan sought relief in satire.
Duncan presents us with delicious situations. An almost-middle-aged woman falls in love with the twenty-six-yea-old son of her best friend. A mother who has only met her daughter twice in twenty-one years has difficulties feeling maternal. A romantic flirtation with an artist yields unexpected results. An adventuress wreaks havoc in the life of a young woman who is all too expert at self-sacrifice...
And the outcomes are always a bit of a surprise. A thoroughly delightful book!
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